Painting each other in the sun
Sketchbook pages from my weekend workshop (“Figure Forms in the Landscape”) at Amana Arts Guild, offered through Grant Wood Area Education Agency.
Above left, watercolor techniques demonstrated with chickens! Above right, drawing each other in the sunlight, drawing with watercolors too. In the sunlight you can really see the form on the face and clothing. We then cut out the smaller figures (like the green clothed person on the right) to travel around in our landscapes. It really gives life to the painting.
Practicing our techniques
(photo courtesy of Mary)
Downtown Burlington’s historic Capitol Theater
(photo via Wikipedia, © Ian Poellet)
(Above left) Here I am at the Art Center of Burlington teaching watercolor techniques. It is always fun to meet new artists and be inspired in their environment.
Because it was raining we could not go out and paint the beautiful historic buildings in downtown Burlington, but you can see photos of several of them in this Wikipedia article.
Painting to Mozart
Cutting out paper dolls and walking them around the painting to find story
Monday was our last class of the season at The Center. One of our class members (Dorothy) is a concert pianist, and served as our model as we drew and painted her while she serenaded us with Mozart!
The class is looking forward to next Fall. They all have truly progressed in painting and drawing the figure. We then cut the figures out and moved them around in our landscapes so now they are inhabited.
(Many thanks to Mary for the photos!)
Layering the face; examples of using layers in watercolor painting
Figures on the street
Considering tree trunks and limbs
These are from demonstrations during our twice-a-month workshops at The Center. Above, I was showing the class techniques on painting the figure in street scenes. The figure is just shapes breaking up the scene. The most important piece is getting the gesture of what they are doing. It really makes the painting come alive as it is inhabited.
We started trees by showing trunks and limbs, then adding foliage. We will be adding the figure in the forest next time. The class is really progressing nicely.
(Photos courtesy of Mary)
Figures in the forest
(click image to visit The Center’s website)
Last Thursday the Iowa City/Johnson County Senior Center had an open house to celebrate its 35th year in operation, and this article in the Cedar Rapids Gazette gives you a sense of why The Center is so popular in the community. I’m in the fourth photo at the top of that article, doing a watercolor demonstration.
Update: My winter/spring series of watercolor workshops has ended and we’re looking forward to starting again in the fall. You can get each season’s Program Guide from The Center’s website.
Instead of a regular Christmas tree, this is my slumped-acrylic nativity scene with St. Francis on the left. I’ve been using the walker while I wait for a bit of surgery, and was trying to get in the Christmas spirit by decorating it and walking with Francis. I think Christmas could be every day as the Light comes into the world.
Taking baby Jesus out for a walk with the Holy Family and St. Francis
The paintings were auctioned off
at the end of the evening
These photos are from October’s “An Evening with Area Artists” held at the Figge Art Museum in Davenport, Iowa. The event was a fundraiser to benefit artsBASICS, an arts education advocacy organization whose mission is to “[i]ncrease access to arts education for all students in all the arts in Davenport Community District artsBASICS Schools.”
I was one of several artists demonstrating our techniques as we painted from live models and objects arranged on the stage. At the end of the evening attendees could bid on the artwork that they’d watched us create.
Two views during painting at the fundraiser
(click image to visit website of
Prairie Wolf Press Review)
I’m pleased to have my paintings accompany poetry and prose from a variety of writers in the Fall 2015 issue of Prairie Wolf Press Review, an online anthology.
“Prairie Wolf Press Review values the density of language, the impact of the wisely considered word.”