See the Creating for a Cause page to find products to benefit:
- The ALS Association Iowa Chapter (“Family and Friends” set of notecards)
- Clubfoot Solutions (the book “Lucky’s Feet” featuring my illustrations)
- Lila Mae’s House (notecards, scarves, and bags)
(This post is “stickied” to remain at the top of the blog; newer blog posts may appear below.)
I love this little tree, I have my children’s baby shoes among the ornaments and “countdown” envelopes, and at the top is son Devin’s little blue cap he wore from the hospital.
The only problem I had was buying more lights — the stores were all out, but the joy of the little tree does not need a full array of lights, it sparkles anyway.
Happy Holidays to those near and far! Rejoice in the little things as it is all about Love.
A joyful scene
Coming from afar like the wise men,
this "alien" from my doll collection has
climbed the ladder to get a good look
Four young participants gesture toward the
Ames Children’s Theater logo in a scene
featuring the familiar white cube stage prop
I had the honor of creating this small sculpture to commemorate and celebrate Ames Children’s Theater, which recently wrapped up its illustrious 40-plus-year run. The program provided theater experience to area children, and presented plays and guest artist performances in Ames elementary schools. The sculpture is made of durable Lexan™ and is sized to easily move from place to place.
As usual with a commissioned piece, I worked with the client in developing the artwork to reflect their vision. In this case I collaborated with notable friend of the arts Carole Horowitz, who was instrumental in founding Ames Children’s Theater and throughout its run. It was fun for me to work with Carole because I’ve worked on so many committees when in Ames and we could reminisce about happenings in the art world.
Carole and Children’s Theater board member Maureen Friedrich spoke with the Ames Tribune for the article, “End of an era: Ames Children’s Theater disbands after more than 40 years.”
You can listen to Carole Horowitz’s radio program, “KHOI Previews the Arts,” from the Archive page of the KHOI FM website.
Attentive Frank and Bella, with painting for scale
Earlier this summer I spent some time dogsitting with my daughter’s beloved dogs Frank and Bella (both females), shown at right; then more recently with another daughter’s dog Olive, shown below.
Olive is very affectionate and used to sitting on her owner’s lap. After playing ball with her I wanted to paint, so I pulled up a chair next to me and she laid her head on my lap with an occasional lick on my brushes and paint container. It is just like kids in the studio, better to let them be involved!
Olive (at bottom right of the photo)
at the work station
Inspecting the results
What are the stories your feet can tell you?
Where have they been?
Anticipating a colorful future for the leaves
To round out the Watercolor Playgroup series with our August session, we started by making prints of our feet using washable tempera paint in flat pans. Lots of giggles doing this, but so fun! While the footprints were drying we painted the ever-popular chicken, and drew around leaves and painted them with lots of color getting ready for fall.
As we gazed at our dried footprints, considering the lines and impressions in our feet that have carried us for so long, we began to find shapes and symbols, like seeing animals in the clouds. Class members imagined landscapes where they could add trees and people. We cut out our “feet” and added a little paint and markers and made cards. One participant sent her footprint to her beloved with the words, “I will follow you anywhere.”
For an artist or anyone, it’s powerful to try learning to see beyond the obvious. We can use many methods to look at things in new ways and strive to “see as God sees.” I enjoyed working, playing, and meeting with people at these summer sessions and look forward to returning to Shalom Spirituality Center, possibly for a two-day retreat next spring (check out their Newsletters page for upcoming events!).
Using a viewfinder (white paper with rectangle cut
out) to select an area of focus from the larger photo
For our July Watercolor Playgroup at Shalom Spirituality Center, I took photos of the grounds outside, then using a viewfinder found a part that spoke to me rather than painting the whole yard. We painted the closeup area and added some chickens. The class wanted to paint larger chickens as one participant had chickens at home. In the painting at left below, we were outside celebrating and saw our shadows and it was joyful!
Painting shadows is grounding and revealing
Always a favorite subject
Using our viewfinders to choose an area of focus
On June 26 I was at Shalom Spirituality Center in Dubuque, facilitating the first session of Watercolor Playgroup, a plein air retreat. Unfortunately for the “plein air” plans, it rained all afternoon, so we took our artmaking inside. We worked from photos and used viewfinders to focus on an area of a scene that spoke to us. I demonstrated technique in drawing and watercolor using a workbook emphasizing shadows which I developed for the class.
Shadows are grounding in a drawing or painting.
On a rainy day I used a flashlight to get a distinct
shadow for this example for the workbook.
A street scene from Saint-Victor-des-Oules in southern France,
painted for an earlier “staycation”-themed Zoom class.
At right, detail of the plein-air painters in the scene.
In the Spring an artist’s fancy lightly turns to thoughts of … plein air painting!* Online watercolor classes were a great way to escape the winter climate; as the weather grew nicer, my students and I were growing impatient to get outdoors. Zoom classes are on hiatus for now while I venture on to some other projects.
Pictured: In Saint-Victor-des-Oules, France, some fellow artists and I walked up the road into town from our lodging on the outskirts and tucked ourselves into a little driveway to paint — the cars come up fast on these narrow streets! A beautiful part of travel is the “mindful moments,” being able to sit and absorb the wonderful smells of food and flowers and the sounds of people speaking French, paying attention and enjoying the senses and feeling “really there.” This scene brings to mind the scent of beef bourguignon floating to us through an open window.
* (with apologies to the source of the quote)
The beauty of Monet’s gardens at Giverny resulted
from careful planning and a lot of work, both
originally and to restore them in modern times
For my Zoom watercolor classes in April we are painting Monet’s gardens, focusing on water, trees and flowers. We work from a photo, a value sketch, and a color palette before we start painting. See the Classes and Events page for more information, and send me an email (email@example.com) if you’d like to join us!
Pictured: My traveling companions and I were at the gardens at Giverny in an October, just when the trees were turning. The still water reflections were stunning amongst the water lilies. Everything in the gardens was planned, from the times that different plants and trees would be in bloom, to the reflections in the water.
Hen & Chicks logo
(click image to visit website)
On Wednesday I had an enjoyable phone call with friend Heidi Kaisand, owner of Hen & Chicks Studio in Conrad, Iowa, for her show “Create With Heidi.” The show is broadcast each week on KFJB radio, AM 1230 in Marshalltown, and available from the podcast page of the Hen & Chicks website. The episode with my interview is titled “Passion for Painting.” Heidi and I talked about how we met, how I came to paint the doors that serve as room dividers in her retreat space “The Nest,” and about the experience of flow in the creative process.
To quote the website, “Hen & Chicks Studio is Conrad, Iowa’s premiere destination for quilting and scrap booking inspiration!” In addition to shopping for supplies, you can listen to the show each week for a bit of creative encouragement, catch up on past interviews, find many more events and ideas on the Hen & Chicks website, and check out Heidi’s videos on her social media pages.
The Château de Lussan is a medieval fortified castle, still in use today (pictured with another
classic, the Citroën). We used masking fluid on the birds so we could paint the clouds.
I’ve added March class dates to the Classes and Events page — send me an email (firstname.lastname@example.org) if you’d like to join us! We’ll continue our “staycation” theme — above, I just could not resist adding birds to this view of the Château de Lussan in southern France (link is to Google translation of French Wikipedia page).
My classes have found that two hours goes by in a hurry! I’ve started a system of using the same subject two weeks in a row, with different warmup exercises each week, so class members can more easily complete a painting without feeling rushed. Those comfortable with finishing a painting more quickly can branch out with their own subjects.